{"status":true,"msg":{"data":{"id":56549,"auction_id":110,"set_id":144,"lot_number":"123","artist":"“Nuestra Señora Del Carmen”/“Nuestra Señora Del Monte Carmelo”","title":"Our Lady Of Mount Carmel","starting_price":800000,"signed_dated":"Leoncio Asuncion y Molo (1813–1888)","medium":"ivory, “baticuling” wood (Litsea leytensis),\n18 karat gold, velvet, silk and silvergilt threads\n1850s","size":"santo: H: 30\" (76 cm) \nW: 11\" (28 cm) \nL: 12\" (30 cm)\nwith virina: \nH: 42\" (107 cm) \nD: 17\" (43 cm)","property":null,"coa":null,"provenance":"Santa Cruz, Manila\nDon Dr Maximo Viola y Sison (1857–1933) and Dona Juana Roura y\nSanta Maria, by inheritance; Don Pedro Viola and Dona Isabel Sison","exhibited":null,"literature":null,"write_up":"Nuestra Señora del Carmen Nuestra Señora del Monte Carmelo Our Lady of Mount Carmel by AUGUSTO MARCELINO REYES GONZALEZ III

(“Capitan Memo”) and Capitana Martina Molo Agustin Paterno y Yamson (“Capitana Tinang,” Sra de Mariano Zamora), two of the richest Chinese–Filipino entrepreneurs of the second half of the nineteenth century.

Capitan Maximo Paterno waxed very rich from his trading and ship– chandling activities and maintained a grand and luxurious residence in the heart of Santa Cruz for his large family. He commissioned his artistic Asuncion y Molo first cousins Ambrocio and Mariano for religious paintings, Leoncio for the ivory and wooden santos in his private chapel, and Justiniano for portraits of himself, his three successive wives (Dona Valeria Pineda, Valeria’s paternal first cousin Dona Carmen Devera Ignacio y

Pineda, Carmen’s younger sister Dona Teodora Devera Ignacio yPineda), and sons and daughters. The house was filled with the finest Filipino and European art, furniture, and decorations. The Paterno sons and daughters grew up in aristocratic Spanish–Filipino style: they were educated by the best tutors and their creativity encouraged; the sons were sent to Europe for their tertiary education; the daughters were mentored by the best artists in Manila — painters, musicians, performing artists, writers, poets. The “casa senoreal” occupied one entire city block and bordered four streets Calle San Roque, Calle Noria, Calle Sales, and Calle Carriedo with its main entrance on Calle San Roque. The Paterno palace became known in Manila as a haven of high culture, elegance, and sophistication. In short, class.","lot_group":"OBJET D' ARTS","lot_details_html":"

“Nuestra Señora Del Carmen”/“Nuestra Señora Del Monte Carmelo” Our Lady Of Mount Carmel
Leoncio Asuncion y Molo (1813–1888)
ivory, “baticuling” wood (Litsea leytensis),
18 karat gold, velvet, silk and silvergilt threads
1850s
150 grams of gold
santo:
H: 30\" (76 cm)
W: 11\" (28 cm)
L: 12\" (30 cm)

\n

with virina:
H: 42\" (107 cm)
D: 17\" (43 cm)

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