{"status":true,"msg":{"data":{"id":56500,"auction_id":110,"set_id":144,"lot_number":"72","artist":"Onib Olmedo (1937 - 1996)","title":"Elvie","starting_price":600000,"signed_dated":"signed and dated 1974 (lower right)","medium":"oil on canvas","size":"24\" x 18\" (61 cm x 46 cm)","property":null,"coa":"León Gallery wishes to thank Ms. Gisella Olmedo-Araneta for confirming the authenticity of this lot","provenance":null,"exhibited":null,"literature":null,"write_up":"Olmedo’s work has always lived close to the street— close to the noise, the heat, the struggle. Before dedicating himself fully to art, he spent years working at the San Lazaro racetrack, first as a racing steward, then as a judge. It was there that he came face to face with the raw, unfiltered pulse of humanity: joy and heartbreak living side by side, hope and despair riding on a single bet. That experience stayed with him. It’s in his art, thick and restless, never quite settling, always searching. Olmedo wasn’t painting from a distance—he was in it, among it, part of it.<br /><br /> Even beyond the racetrack, Onib’s eye was always turned toward the everyday lives of ordinary Filipinos. He wandered through Sampaloc, Ermita, and Malate— watching, listening, absorbing. The streets offered him stories: of vendors and vagrants, workers and wanderers, lovers, loners, and lives half-lived in the shadows of neon and rust. Manila, in all its chaos and contradiction, became both backdrop and subject, muse and mirror. His art is an act of witness—a way of holding space for people who might otherwise be unseen. <br /><br /> In this piece, that same tenderness and unflinching observation are present. A woman sits beside worn-out kettles on a small green table. Her gaze is turned slightly away, as though caught mid-thought, mid-life. Behind her, a wall of warm red-orange planks surrounds the scene with a kind of claustrophobic heat. Nothing is romanticized— the room feels tight, the expression ambiguous, the silence almost loud. And yet, there's so much dignity in how she’s painted. The pots, dented and used, are not props but companions—suggesting a life spent in motion, in labor, in care. Onib doesn’t just portray the woman; he honors her. She’s not a symbol. She’s someone. (Jed Daya)","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":660000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":660000,"userBid":7890,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":793056,"fav":0},"image":[{"id":60299,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/110/144/lot/72.jpg","isFeatured":1},{"id":60729,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/110/144/lot/72b.jpg","isFeatured":0},{"id":60726,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/110/144/lot/72a.jpg","isFeatured":0}]},"increment":[450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":71,"next":73,"count_bid":0,"bid_history":[],"tokenExpired":1}