{"status":true,"msg":{"data":{"id":59035,"auction_id":180,"set_id":214,"lot_number":"125","artist":"N.K. Toan (Asian artist, most likely\nVietnamese)","title":"a.) The Daily Cycle: Studies The New York Times b.) The Daily Cycle: Studies Daily News","starting_price":20000,"signed_dated":"a.) signed and dated 1988 (lower right)<br>\ngouache and watercolor on illustration board<br>\n15” x 12” (38 cm x 30 cm)<br><br>","medium":"b.) signed and dated 1988 (lower left)<br>\ngouache and watercolor on illustration board<br>\n15” x 12” (38 cm x 30 cm)","size":null,"property":"PROPERTY OF A DISTINGUISHED LADY","coa":null,"provenance":null,"exhibited":null,"literature":null,"write_up":"This is a virtuoso pair of trompe-l’œil (“trick of the eye”) photorealist paintings that capture the tactile authority of New York City’s print media at the close of the 1980s. N.K. Toan’s work from this period demonstrates the high-technical proficiency of the New York illustration school of the late 1980s. Executed with hyper-realistic precision, these works explore the duality of the newspaper as both a physical artifact and a vessel of information. The artist utilizes a stark, conceptual composition: a central, ruled “mechanical” void—representing the silence of the layout board before the news is struck—contrasted against the vividly rendered, peeling corners of New York’s two titans of journalism, The New York Times and the Daily News.<br><br>The first work features the masthead of The New York Times from Sunday, August 7, 1988, rendered with such fidelity that the paper fibers and ink bleed appear tangible. The companion piece depicts the grit of the tabloid Daily News, featuring the era’s signature typography and a partially obscured headline regarding a “Hopkins” closing protest. By juxtaposing the flat, empty geometry of the center against the crumpled, three-dimensional rendering of the paper, the artist comments on the ephemeral nature of the news cycle—today’s headlines are tomorrow’s discarded paper. These works serve as a nostalgic time capsule of pre-digital New York, preserving the texture and weight of the Sunday paper in a permanent medium. The artist was an Asian (most likely Vietnamese) who trained and worked in NYC during the 1980s.","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":0,"bp":0.2016,"isWithdrawn":0,"accounting_hp":0,"userBid":0,"isPaid":0,"userId":22,"lot_status":"UNSOLD","isDone":1,"bid_history_id":12419,"reserve_price":0,"hammer_price":0,"fav":0},"image":[{"id":64587,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/180/214/lot/125.jpg","isFeatured":1}]},"increment":[25000,30000,35000,40000,45000,50000,55000,60000,70000,80000,90000,100000,110000,120000,130000,140000,150000,160000,170000,180000,190000,200000,220000,240000,260000,280000,300000,320000,340000,360000,380000,400000,450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":124,"next":126,"count_bid":0,"bid_history":[],"tokenExpired":1}