{"status":true,"msg":{"data":{"id":59753,"auction_id":186,"set_id":220,"lot_number":"38","artist":"Jigger Cruz (b. 1984)","title":"Untitled","starting_price":600000,"signed_dated":"signed and dated 2013 (lower right)","medium":"oil on canvas","size":"27 1/2\" x 21 1/2\" (70 cm x 55 cm)","property":null,"coa":null,"provenance":"Primo Marella Gallery, Singapore","exhibited":null,"literature":null,"write_up":"There is a method in the proverbial madness about the works of Jigger Cruz. Created in 2013, this particular piece belongs to a period of his career that Lisa Ito, in her essay “Caught in the Interregnum,” described as his development of artistic philosophy. \n\n“The artist describes his works as highly entropic acts of personal spontaneity, and explores different approaches to painting at this stage of his personal experience,” she wrote. \n\nIndeed, the typical Cruz style is evident in this work, his telltale chaotic paint pigment either smeared, smudged, squeezed directly from the tube onto the canvas, or combinations of one or the other. However, to think it is mere desecration is a misjudgment of Cruz’s talents. Despite the seeming anarchy dominating the canvas, Cruz’s ruination can be seen as a deliberate choice, an intentional destabilization of the status quo. After all, many of Cruz’s canvases are a duology of works plastered on top of the other — the most noticeable being his textured paint strokes, while the oft-overlooked aspect is a figurative\npainting done in the classical style buried underneath it. \n\nHis method of defacement fares past his canvases and into his frames. Like his work, his physical frame often carries the mark of damage: either burned, slashed, or, in this case, painted over. In that sense, Cruz’s iconoclasm responds to the conservatism of the academic art practice and the modernist bent of the avant-garde movements of the 21st century. \n\n“Extending beyond modernist fascination with pushing and extending the limits of representation towards non-representation, Cruz appears to be reveling in the plastic property of paint,” Ito said. “Through the rawness of gesture and texture, [he...engages] in an experiential dialogue of sorts with his viewers, [making] tangible the act of communication with the work.” (Hannah Valiente)","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":1000000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":1000000,"userBid":34,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":14944,"reserve_price":null,"hammer_price":1201600,"fav":0},"image":[{"id":65248,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/186/220/lot/38.jpg","isFeatured":1},{"id":65447,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/186/220/lot/38b.jpg","isFeatured":0},{"id":65446,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/186/220/lot/38a.jpg","isFeatured":0}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":37,"next":39,"count_bid":0,"bid_history":[],"tokenExpired":1}