{"status":true,"msg":{"data":{"id":60792,"auction_id":203,"set_id":236,"lot_number":"81","artist":"Eduardo Castrillo (1942 - 2016)","title":"Rhythmic Movements","starting_price":2000000,"signed_dated":null,"medium":"brass","size":"H: 264\" (671 cm)<br/>\nD: 108\" (274 cm)","property":"PROPERTY FROM THE PHILIPPINE PLAZA HOLDINGS INC","coa":null,"provenance":"Acquired directly from the artist","exhibited":null,"literature":null,"write_up":"1971 proved to be a fortune-laden year for Eduardo “Ed” Castrillo. At the age of 29, he received the Republic Cultural Heritage Award, which was the nation's top art honor at the time; the Araw ng Maynila Centennial Award; the Jaycees' Ten Outstanding Young Men (TOYM) Award; and the Outstanding Makati Resident Award. He also mounted two solo exhibitions: one of his jewelry at Galerie Bleue and the other at Solidaridad Galleries, featuring his hammerouts and welded steel forms. More importantly, it was also in this fruitful year that Castrillo was selected to represent the Philippines in the Paris Biennial, setting the stage for his international career. <br/><br/>A son of a master jeweler and Zarzuela artist, the young Castrillo inherited his parents' artistic flair. However, it took him several years to discover his talent for the arts. Upon his mother's premature death, he was left with his father and stepmother. He did not have a merry childhood; he was neglected. While kids his age go out to play, he is confined to a small space, watching life outside through tiny cracks in the walls. This experience brought trauma and a deep scar to the young Ed, which carried on until he grew older. He was only able to go out and explore the world after he began school at seven. <br/><br/>The only positive outcome of his depressing childhood was that it taught him to dream, to conceptualize, and to be creative. Using whatever material was available, he would build something and make stories out of it. This creativity was further developed when his father, already given up on him being stubborn and 'insufferable' during his teenage years, enrolled him at Don Bosco. Here, Ed discovered himself, his–and his father's–epiphany. He found that he liked making things with his hands; he finally found something to channel his repressed energy. Since then, Castrillo has diligently studied various forms and techniques of art-making. <br/><br/>Throughout his career, he has demonstrated his versatility by working in a wide variety of mediums: bronze, brass, stainless steel, chrome, plexiglass, glass, and scrap metal. He also used hammerouts, reliefs, assemblages, and bronze casting to create his dignified abstract masterworks, showcasing his ability to adapt and innovate. His sublime and monumental sculptures and brass reliefs are a sight to behold, decorating the Philippine soil with his top-notch artistry and precision. <br/><br/>Perhaps Castrillo found solace in sculpture making. The expansive space he used for his sculpture work was an ode to the restrictions and limitations assigned to him as a child. From being an isolated child in a constricted space, his gigantic sculptures are now seen almost everywhere. They have become an integral part of the urban landscape, adorning parks, museums, office buildings, hotel premises, and school compounds. (Jessica Magno)","lot_group":"SCULPTURE","lot_details_html":null,"alias":null,"hp":7500000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":7500000,"userBid":34,"isPaid":0,"userId":34,"lot_status":"SOLD","isDone":1,"bid_history_id":19580,"reserve_price":0,"hammer_price":9012000,"fav":0},"image":[{"id":66807,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/203/236/lot/81.jpg","isFeatured":1}]},"increment":[5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":80,"next":82,"count_bid":0,"bid_history":[],"tokenExpired":1}