{"status":true,"msg":{"data":{"id":1725,"auction_id":3,"set_id":4,"lot_number":"37","artist":"Abdulmari Imao (1936 - 2014)","title":"Sarimanok Series","starting_price":400000,"signed_dated":"signed and dated 2009","medium":"brass","size":"29\" x 11\" x 7\" (74 cm x 28 cm x 18 cm)","property":null,"coa":"Accompanied by a certificate issued by Mr. Toym de Leon Imao\nconfirming the authenticity of this lot","provenance":"Private Collection, Manila","exhibited":null,"literature":null,"write_up":"The art of National Artist for Visual Arts Abdulmari Imao possesses four distinct and interrelated themes: Islamic calligraphy, sarimanok, sarimosque (a design combining the forms of the sarimanok and the mosque), and the sari-okir (a combination of the sarimanok and the okir/okil, foliage patterns in curvilinear/ rectilinear designs and is particularly associated with the Maranaos).<br /><br /> Imao employs the sari-mosque in this particular piece, as evident in the Islamic dome situated atop the head of the legendary bird. Imao exhibits his profound knowledge and understanding of his Islamic heritage. In Islamic architecture, the dome of mosques is the symbolic representation of the vault of heaven in Islam. It is also evocative of a later Maranao legend that tells of the story of the Prophet Muhammad going to the seven heavens and discovering in the first heaven a bird so large that its crest touches the second heaven. It is said that when the bird stops crowing, the Day of Reckoning (yawm alqiyāmah, literally “Day of Resurrection”) comes.<br /><br /> Imao did not hastily incorporate the sarimanok into his oeuvre; he deliberately studied and did research first on the legendary bird so as to remain faithful to its essence while incorporating his distinct touch. In a 1969 interview with fellow National Artist Nick Joaquin, Imao says: “I have been working on the sarimanok style. This is a design I am trying to improve, revitalize. That is why I have been doing research on this Muslim motif: to develop it into another design, which will be distinctively Muslim.”<br /><br /> The sarimanok has become a cultural trademark not only of Muslim Filipinos but the entire nation as well. As Imao had remarked: “The sarimanok is a bird of exquisite beauty and unique enchantment, a mythic creature with a fish in its beak or claws. Today, the sarimanok is no longer exclusive to Maranao culture. It is now part and parcel of the whole Filipino heritage, truly representative of Filipino culture.” (A.M.)","lot_group":"SCULPTURE","lot_details_html":"<p><strong>Abdulmari Imao</strong> (1936 - 2014)<br /><em>Sarimanok Series</em><br />signed and dated 2009<br />brass<br />29\" x 11\" x 7\" (74 cm x 28 cm x 18 cm)</p>","alias":null,"hp":500000,"bp":0.168,"isWithdrawn":0,"accounting_hp":500000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":584000,"fav":0},"image":[{"id":1732,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/3/4/lot/37.jpg","isFeatured":1}]},"increment":[450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":36,"next":38,"count_bid":0,"bid_history":[],"tokenExpired":1}