{"status":true,"msg":{"data":{"id":32728,"auction_id":38,"set_id":63,"lot_number":"130","artist":"Ang Kiukok 1931-2005","title":"Thirteenth Station: Jesus is Laid on the Lap of Hi","starting_price":7000000,"signed_dated":"signed and dated 1997 (lower right)","medium":"oil on canvas","size":"36” x 36” (91 cm x 91 cm)","property":null,"coa":"This piece is accompanied by a certificate issued by Finale\r\n Art File confirming the authenticity of this lot","provenance":"Private Collection, Manila","exhibited":null,"literature":null,"write_up":"Angst lies beneath the brilliant surface of Ang Kiukok’s expressionism. As Delacroix wrote in his diary, “One never paints violently enough.” The term Pietà finds its roots in the Italian word for “pity” and the Latin word for “piety.” Heartrending, this composition depicts the Virgin Mary cradling the dead body of her son Jesus in her loving arms. With no reference in the scriptures, the Pieta subject developed as a devotional image in 13th-century Germany, where it was regarded as Vesperbild or “the evening picture.” Popularized by the Franciscans, it evoked devotion and faith. Many people are familiar with Michelangelo's masterpiece in the Vatican, of Mary holding the dead body of Christ in her lap. However Michelangelo's work was a past culmination of the Pieta theme and many varied representations of this scene have been depicted over the centuries, and there are some highly evocative modern works of the same subject. Max Ernst’s Pieta, for one, in the Tate Modern, is a gateway to the psychological power of one of the great themes of Western religious art. Ang Kiukok’s version of the pieta, one of a handful by the artist, takes on the title “Thirteenth Station: Jesus is Laid on the Lap of His Mother”. Ang Kiukok has not turned back to medieval prototypes but instead, through economy of gesture, restraint in overt expression of emotion — Mary is virtually undistinguishable in this depiction of pure sorrow and austere use of color, he has created his own meditative images of remarkable force. The composition, in spite of its severity has a complete spatial unity. The chaos and reason that runs throughout the work manifests itself through Abstract Expressionist sensibilities. Aside from the jagged red box framing the imagery, there is no attempt to create any more than the bare essentials of picture space; this particular spur to devotion required no more. For Ang Kiukok, too elaborate a spatial framework as much as excessive use of color, decoration, or narrative, could detract from the picture’s power. Rejecting the improvisational, it is an exercise in finding new and meaningful sources through spontaneity, improvisation and energetic gestures. Lines and marks executed in rapid succession then merge with fields of color to create an elemental impact.","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":9500000,"bp":0.168,"isWithdrawn":0,"accounting_hp":9500000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":11096000,"fav":0},"image":[{"id":30696,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/38/63/lot/130.jpg","isFeatured":1}]},"increment":[5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":129,"next":131,"count_bid":0,"bid_history":[],"tokenExpired":1}