{"status":true,"msg":{"data":{"id":1877,"auction_id":4,"set_id":5,"lot_number":"146","artist":"José Joya (1931 - 1995)","title":"Bulls and Bears","starting_price":4000000,"signed_dated":"signed and dated 1989 (lower right)","medium":"acrylic collage","size":"29 1/2\" x 43 1/2\" (75 cm x 110 cm)","property":null,"coa":"Accompanied by a certificate issued by Mr. Alexander  Richard Joya Baldovino confirming the authenticity of this lot","provenance":null,"exhibited":null,"literature":null,"write_up":"Characterized by art critic Leonidas Benesa as the \n“exponent of pure painting”, Jose Joya has become an \ninfluential name in Philippine abstraction for his mastery \nof non-figurative expression. Although his first forays into the \nart scene as a student at the UP College of Fine Arts would gain \nhim recognition for his realist and still life works which granted \nhim awards such as the prestigious Shell Art Competition Prize, \nJoya’s artistic journey would find his subject matter straying \nfrom the outer object and instead gradually drawing inwards \nwithin the artist himself, resulting in spontaneous gestures of \npure feeling and imagination on canvas.<br /><br />\nDuring his studies in New York from 1956 to 1957, Joya’s \nartistic direction would be steered towards abstraction. At that \ntime, abstract expressionism had reached its peak in Western \npainting with the likes of Jackson Pollock, Willem de Kooning, \nand Mark Rothko utilizing unconventional techniques and \nstyles of making non-figurative art that gave emphasis to the \nexpressive qualities of paint. Having taken to heart such artistic \nphilosophy, Joya’s works eventually found less figurative subjects \nin favor of ‘landscapes of feeling and mind’. However, this did \nnot mean that Joya completely ceased to render figures and \nstill lifes for the rest of his artistic career. Joya’s documentary like travelogues, after all, often featured figurative subjects \ndrawn with pencil and ink in gestural lines. Philosophically, \nsuch a gestural manner would also manifest in his works of \nabstraction as the growing spontaneity of his technique tended \nto capture energies in their utmost dynamism rather than \nmerely rendering form.<br /><br />\nIt was in the 1970s that Joya would embark on a series of acrylic \ncollages which took his abstract expressionism towards a more \nexperimental direction. By combining acrylic and rice paper, \nJoya takes off from Western abstraction and the calligraphic \ngestural to bring his work back ever closer to the subject \nmatter he had become accustomed to initially: nature and the \nlandscape. Despite the heightened experimental approach, one \ncannot help but appreciate the overlapping organic intensities \nthat bloom across the composition of Joya’s acrylic collages. \nHis abstractions curiously bear no real definable resemblance \nto any observable object in nature, but perhaps such is only \nwhat makes Joya’s expressionism all the more special. It is an \nexpressionism that abstracts not just from nature, but from a \nheart that is at one with it. (Pie Tiausas)","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":7000000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":7000000,"userBid":5930,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":0,"hammer_price":8411200,"fav":0},"image":[{"id":1933,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/4/5/lot/146.jpg","isFeatured":1}]},"increment":[5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":145,"next":147,"count_bid":0,"bid_history":[],"tokenExpired":1}