{"status":true,"msg":{"data":{"id":1948,"auction_id":4,"set_id":5,"lot_number":"42","artist":"Oscar Zalameda (1930 - 2010)","title":"Flower Vendors","starting_price":1200000,"signed_dated":"signed (lower right)<br /> ca. 1980","medium":"oil on canvas","size":"36” x 48” (91 cm x 122 cm)","property":null,"coa":null,"provenance":"Private Collection, Makati City","exhibited":null,"literature":null,"write_up":"Oscar Zalameda’s Flower Vendors encapsulates a \ncelebration of several things: nature’s bountiful blessings, \nthe laborers of the motherland, an homage to one’s native \nsoil, and a yearning for brighter prospects. We see in this piece \nnative Filipinas dressed in the traditional baro’t saya in a display \nof the harmonious oneness and social cohesion of the people in \nthe countryside, joining hand in hand in their everyday toiling. \nTheir faces are rendered blank, likely instilling in the viewers the \nsignificance of empathy and profound solidarity with the laborers \nof the nation—the movers of society and makers of history.<br /><br />\nLike many of his works, Flower Vendors also serves as Zalameda’s \njoyous ode to his native Lucban in Quezon Province. Dubbed the \n‘Rice Capital of Quezon,’ Lucban is widely famous for its annual \nPahiyas Festival, a week-long celebration in honor of San Isidro \nLabrador, the patron saint of farmers and agricultural workers. \nHouses are decorated with kiping or brightly colored rice wafers, \nmaking the Pahiyas one of the world’s liveliest and most vibrant \nfestivals. The Pahiyas is the Lucbanins’ artistic way of thanksgiving \nfor a prolific harvest since agriculture is their primary source of \nlivelihood. Zalameda evokes the spirit of the Pahiyas in this work \nthrough his signature employment of flamboyant colors meant to \nbring out the inherent optimism of his oeuvre and his high-spirited \npersonality.<br /><br />\nVeering away from the distinct cubist language of his mentor \nVicente Manansala, who often imbued his works with a harrowing \nand bold critique of existing social conditions, Zalameda sees the \nworld as a bastion of hope and elation, a paradise that may be \npalpably manifested and experienced. As particularly seen in this \nwork, the vendors sit composed and relaxed, signifying the pleasing \nfulfillment they find in their societal role, with the bright colors \nof the composition further indicating a prosperous panorama of \nthe pastoral. This is not to say that Zalameda romanticizes the \nPhilippine countryside. However, Zalameda’s colorful rendition of \nthe rural domain resoundingly speaks of visions of golden relief—\nthat like the Pahiyas’ display of social cohesion and solidarity, our \nyearnings for prosperity can be realized if we stand hand in hand \nwith the ordinary people whose names we do not know and faces \nwe do not recognize yet share with us a common goal toward \ngenuine social emancipation. (Adrian Maranan)","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":1500000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":1500000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":1802400,"fav":0},"image":[{"id":1973,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/4/5/lot/42.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":41,"next":43,"count_bid":0,"bid_history":[],"tokenExpired":1}