{"status":true,"msg":{"data":{"id":33101,"auction_id":41,"set_id":66,"lot_number":"22","artist":"Fernando Amorsolo (1892-1972)","title":"Crossing The River","starting_price":3600000,"signed_dated":"signed and dated 1924 (lower left)","medium":"oil on canvas board","size":"12 1/2”x 16” (32 cm x 41 cm)","property":null,"coa":null,"provenance":"Provenance: Acquired and commissioned by La Compan","exhibited":null,"literature":"literature: Giralt i Raventós, Emili, “La Compania","write_up":"The Philippines, as seen through the mythical eyes of Fernando  Amorsolo, may be espied in three works from the legendary House  of Tabacalera, arguably the country’s biggest and richest company  at the end of Spanish rule.  Social historian Augusto “Toto” Gonzalez writes that the \"Compania  General de Tabacos de Filipinas\" aka \"La Tabacalera\" was a behemoth  whose businesses grew from tobacco to include “abaca\" (hemp),  “copra, coconut oil, sugar, shipping, and liquor.”  \"La Tabacalera\" established the \"La Flor de la Isabela\" cigar factory in  1887. It was the biggest and most modern cigar factory at the time with  the capacity for large-scale export which made Manila cigars as famous  as their Cuban counterparts.  \"Compania de Filipinas\" aka \"Compania General de Tabacos  de Filipinas\" was established 26 November 1881. The original  shareholders were the Spanish Crown and various European banks  in Spain, France, and the Netherlands. The company was even listed  on the Madrid and Barcelona stock exchanges. Eventually, it was time  for the wavering colonial government's tobacco business to be turned  over to more capable private hands.”  The oldest of the Tabacalera Amorsolos at hand is a masterpiece entitled  “Crossing the River”. It is a 1924 work that was commissioned by La  Tabacalera and became an emblem of the company — even being  utilized in an advertisement for its presence in the Barcelona Exposition  of 1929.  Intriguingly, rising in the distance from the tobacco fields are the  sprawling edifices and smokestacks of the Central Azucarera de Tarlac,  which would eventually become the Hacienda Luisita, the source of  power and privilege of Cory Aquino’s family. The Tabacalera archives say  that Amorsolo actually painted it in the open air, capturing the farmers  returning home in the late afternoon.  Gonzalez notes, “The 6,453 - hectare Hacienda Luisita spanning  3 towns and 11 villages in Tarlac province was formerly the property  of the \"Compania General de Tabacos de Filipinas.\" where it had its  profitable sugar plantation and mill \"Central Azucarera de Tarlac”.  It was sold by \"La Tabacalera\" to the Jose C. Cojuangco Sr. family  in 1957 because of the \"Hukbalahap\" insurgency problem.”  -Lisa Guerrero Nakpil","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":5500000,"bp":0.168,"isWithdrawn":0,"accounting_hp":5500000,"userBid":5927,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":6424000,"fav":0},"image":[{"id":31061,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/41/66/lot/22.jpg","isFeatured":1}]},"increment":[5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":21,"next":23,"count_bid":0,"bid_history":[],"tokenExpired":1}