{"status":true,"msg":{"data":{"id":33104,"auction_id":41,"set_id":66,"lot_number":"23","artist":"Fernando Amorsolo (1892-1972)","title":"Tobacco Maiden  )","starting_price":5000000,"signed_dated":"Ca.1938  signed (lower right)","medium":"oil on canvas","size":"24”x 32” (61 cm x 81 cm)","property":null,"coa":null,"provenance":"Provenance:  Acquired and commissioned by La Compa","exhibited":null,"literature":"Literature:  Capistrano-Baker PhD, Florina H. Neta","write_up":"In his early teens, Fernando Amorsolo would show that promise that  would eventually make him the most famous artist of his time. He  would win a contest organized by the influential organization called the  Asociacion Internacional de Artistas de Manila, for an exposition for the  fine arts in 1908. The following year, he would enter the School of Fine  Arts of the University of the Philippines, where his uncle — the noted  Fabian de la Rosa — was also a professor.  Amorsolo would be among the first graduates to complete the course.  He would next work at the publishing firm of Cacho Hermanos where  Jorge Pineda reigned supreme as the remarkable illustrator of the  Renacimiento.  He would somehow attract the attention of the industrialist Enrique  Zobel de Ayala, whose concerns among other enterprises included  the distillery Ginebra San Miguel. Amorsolo’s label of the avenging  archangel slaying the devil-serpent is still used to this day.  In 1919, Zobel de Ayala would bankroll his education in Spain in the  very same academy, the Real Academia de Bellas Artes de San Fernando,  where all the Filipino greats had gone from Luna to Resurreccion Hidalgo  to Zaragoza. Ramon N. Villegas noted that Amorsolo’s test results were  so excellent that he was invited to join the academy not as a student but  as an instructor.  Amorsolo would say in later years that it was in Madrid that his art  became what it was always destined to become, basking in the dramatic  draughtsmanship of Diego Velasquez and the impressionistic light of  Joaquin Sorolla (1863 - 1923).  The second work from the House of Tabacalera is the comely “Tobacco  Maiden”. It is undated but the Tabacalera archives date it in the late  1930s. A ‘casco’ or covered boat that used to ply the Pasig and other  major rivers can be seen ponderously moving up the still waters by  barge-men. On the side is the boat’s name: “Tabacalera 21”, another  hint as to the age of the painting, according to the Tabacalera records.","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":7500000,"bp":0.168,"isWithdrawn":0,"accounting_hp":7500000,"userBid":5927,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":8760000,"fav":0},"image":[{"id":31062,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/41/66/lot/23.jpg","isFeatured":1}]},"increment":[5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":22,"next":24,"count_bid":0,"bid_history":[],"tokenExpired":1}