{"status":true,"msg":{"data":{"id":33103,"auction_id":41,"set_id":66,"lot_number":"24","artist":"Fernando Amorsolo (1892-1972)","title":"The Bathers","starting_price":5000000,"signed_dated":"signed and dated 1953 (lower right)","medium":"oil on canvas","size":"37”x 29 1/2” (95 cm x 75 cm)","property":null,"coa":null,"provenance":"Provenance:  Acquired and commissioned by La Compa","exhibited":null,"literature":"Literature:  Giralt i Raventós, Emili, “La Compani","write_up":"In the 1950s, Fernando Amorsolo would face a challenge: Victorio  Edades at the rival University of Santo Tomas would lead the cause of  abstract art. Amorsolo would publicly continue to champion the cause  of academic art, waging open warfare in the press. Relying on his long  time ally, Guillermo Tolentino, he would skirmish with the Neo-Realist  Movement, headed by Hernando R. Ocampo.  The battle would be the joined with the members of the influential  Philippine Art Gallery, the first cultural outpost for non-objective art.  Because many of its roster were also important journalists, it would  soon influence public perception in its favor. The age of abstract art had  arrived.  Fernando Amorsolo would nevertheless continue to find spiritual heirs  among a new generation of artists. He would find unceasing demand  for his peaceful vistas of the Filipino countryside and the men and  women who would populate it.  One of Fernando Amorsolo’s most beloved themes would center on  maidens in the water. It would allow him to highlight the intersection of  several elements: his effervescent sunlight as it played, mirror-like, on the  clear stream and dappled the lush greenery.  The last featured Tabacalera work is the idyllic “Bathers’, which at one  time hung in the Tabacalera boardroom in Barcelona.  Dated 1953, it features a trio of water nymphs, splashing, bathing, and  drawing water. The first woman, with her back half-turned, gathers  up her wet hair gracefully. Another — the familiar young girl with a  bandana — reaches down to fill the equally familiar ‘banga’  or clay pot. A child playfully frolics in the water. Piles of wet clothes  suggesting it was also wash-day are arranged on the riverbank stones.  A thick bamboo grove provides some privacy. -Lisa Guerrero Nakpil","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":7000000,"bp":0.168,"isWithdrawn":0,"accounting_hp":7000000,"userBid":5927,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":8176000,"fav":0},"image":[{"id":31060,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/41/66/lot/24.jpg","isFeatured":1}]},"increment":[5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":23,"next":25,"count_bid":0,"bid_history":[],"tokenExpired":1}