{"status":true,"msg":{"data":{"id":33118,"auction_id":41,"set_id":66,"lot_number":"39","artist":"Justiniano Asuncion (b.1939)","title":"Trinity","starting_price":700000,"signed_dated":"signed and dated 1966 (upper right)","medium":"oil on canvas","size":"20 1/2” x 16 1/2” (52 cm x 42 cm)","property":null,"coa":null,"provenance":"Provenance:  Private Collection, Makati City","exhibited":null,"literature":null,"write_up":"Justiniano Asuncion was one of six brothers who were renowned artists of Sta. Cruz  district, Manila. Brothers Manuel (b. 1792) and Leoncio (b. 1813) were sculptors,  while Mariano, Antonio (b. 1794), Ambrosio (b. 1808) were painters. His older brother  Mariano devoted his artistic talent almost exclusively to religious painting as much as he  devoted his life to the service of God as a member of a lay brotherhood, the V. O. T.,  or Venerable Third Oder of St. Francis, and at the time of his death an obituary notice  in a Manila newspaper referred to him as “the dean of native artists,” an honorific  signifying no routine distinction at a time when icon-painters were in plentiful supply.  Yet this was a quiet compliment for the elder Asuncion; his younger brother Justiniano  would exceed him in popularity.  There are so many tales revolve around Justiniano, the most loveable of the early  painters (circulated mainly by his kinfolk) that is difficult to separate fact from fiction.  What is certain is that he belonged to a prosperous class of Chinese mestizos, operated  a studio/workshop with his brothers in Sta. Cruz district, where he was elected cabeza  de barangay in 1853: hence his alias Captain Ting.  The Holy Spirit in the form of a dove hovers between Jesus holding a cross almost  upright and God the Father, holding a scepter and curiously featuring a triangular halo.  Both sit on gradually darkening clouds from which cherubs emerge singly or in pairs.  One visual expedient used by Justiniano Asuncion in his paintings is evident here: Jesus’  extended leg to suggest movement and prevent rigidity. Justiniano Asuncion employs  radiating rays of light emanating from the dove to suggest a blessed atmosphere.  The volume of the clouds is achieved by slight brushwork. These grey to white forms  surrounding the Trinity lend a soaring movement, an illusory effect aided by the floating  cherubs.  Asuncion evoked the sanctity of the subject by adding fine strokes of gold ornament on  the edges of the fabrics of the clothes. His finely shaped faces are highlighted from the  left side.","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":0,"bp":0.168,"isWithdrawn":0,"accounting_hp":0,"userBid":null,"isPaid":0,"userId":22,"lot_status":"UNSOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":0,"fav":0},"image":[{"id":31075,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/41/66/lot/39.jpg","isFeatured":1}]},"increment":[450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":38,"next":40,"count_bid":0,"bid_history":[],"tokenExpired":1}