{"status":true,"msg":{"data":{"id":37410,"auction_id":49,"set_id":77,"lot_number":"101","artist":"Venancio Igarta (1912-2000)","title":"Anito III","starting_price":80000,"signed_dated":"signed and dated 1993 (lower right)","medium":"oil on canvas","size":"21” x 28” (53 cm x 71 cm)","property":null,"coa":"This piece is accompanied by a certificate issued  by PinoyArte confirming the authenticity of this  lot","provenance":"Provenance:  Private Collection, Manila","exhibited":null,"literature":null,"write_up":"Igarta strikes a fine balance between the orthodox and the unorthodox. As a work, his work is acceptable to the traditionalist and to the progressive in outlook. The painting creates a tension between the evocative, representational image of a bulul on one hand and the purely abstracted features of the rest of the composition on the other, a visual game which fully engages the eye. With the figurative sculpture of the bulul, the entire image invites attention.  Mind and imagination of the beholder. The spatial qualities one associates with sky or sea or distant horizon by way of illusion of three-dimensional depth is contained within the rock solid imagery. V. C. Igarta never intended to be a painter; when he arrived by ship at Stockton, California, from Vigan, Ilocos Sur, at 18, he worked as a farmhand harvesting asparagus during the Great Depression (circa 1929-1930s) before coming to New York. A nurse advised him to get a job as a model for a life-drawing class. The teacher was Charles Curran. Leon Krol was also teaching at this studio. Later he attended the Art Student League, then studied with William Palmer. He did have some of his paintings reproduced for articles in Time and Fortune during the Depression. In 1942, Fortune featured Ven together with American masters Maurice Sterne and Rockwell Kent. He rubbed elbows with other art icons such as Willem de Kooning, Ferdinand Leger, Man Ray, Ben Shahn, Rufino Tamayo, and Galo Ocampo.  “Igarta’s flowing patterns of color such as ‘Phoebus Wings’ and ‘Summer Solstice,’ are highly decorative and spontaneous impressions,” New York Times noted in 1948. In a fateful moment he found work with the Color Aid company as a color mixer, where he developed, by eye — what he called: ‘the thinking eye’ — not by formula, the standardized color card packets still in use today. The likes of Josef Albers used Igarta’s cards in his theories, is in the subtle manipulation of perception by proximity of color fields.","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":120000,"bp":0.168,"isWithdrawn":0,"accounting_hp":120000,"userBid":5927,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":140160,"fav":0},"image":[{"id":35496,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/49/77/lot/101.jpg","isFeatured":1}]},"increment":[70000,80000,90000,100000,110000,120000,130000,140000,150000,160000,170000,180000,190000,200000,220000,240000,260000,280000,300000,320000,340000,360000,380000,400000,450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":100,"next":102,"count_bid":0,"bid_history":[],"tokenExpired":1}