{"status":true,"msg":{"data":{"id":37413,"auction_id":49,"set_id":77,"lot_number":"104","artist":"Fernando Amorsolo (1892-1972)","title":"Procession","starting_price":1200000,"signed_dated":"signed and dated 1949 (lower right)","medium":"oil on canvas","size":"11”x 14” (28 cm x 36 cm)","property":null,"coa":"Leon Gallery wishes to thank Mrs. Sylvia Amorsolo-Lazo  for confirming the authenticity of this lot","provenance":"Provenance:  Private Collection, Switzerland","exhibited":null,"literature":null,"write_up":"The celebration of all manner of religious ritual continued to characterize the entire history of art. By the 18th Century in the west, religious celebrations began to be depicted for their own sakes, freeing artists to create major works commemorating public and private festivities. The shift in perspective from creating public art in service of the church to a more down to earth approach in depicting religious rituals was born in the seventeenth century and matured during the eighteenth century. Amorsolo, who was himself a child of the tail end of the 19th century, captures the romance of the rituals of celebration. Delighted with the splendor of Filipino religiosity, Amorsolo captured a glowing procession. Equipped with the rich armory of western old school tradition of painting, Amorsolo brings a new enthusiasm to the depiction of religious festivals.  Amorsolo’s approach to painting this work is unusually and happily theatrical, even more like a visual pageant. Such adjectives are atypical of his eponymous Amorsolo school of painting which he himself started as a teacher. It is one of the rare, excellent instances where Amorsolo deviates from his academic norm of rendering atmosphere as dictated by the sky or the river or the sea or the grassy plains. This painting is a welcome deviation from his visual verbatim. About two thirds of the pictorial space is dark. Eventually, a beholder empathizes with the laidback solemnity of the scene. The clarity of the church architecture at a relative distance contrasts with the obscurity of the human figures which are logically nearer. This is a welcome deviation from the academic norm to which Amorsolo was associated with.  The way Amorsolo paints the church, more solid and modelled than the other figures, makes it dominate the work. The statue — it may be that of the Virgin Mary or the Santo Nino’s rendered like a moving white monument.","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":4200000,"bp":0.168,"isWithdrawn":0,"accounting_hp":4200000,"userBid":5927,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":4905600,"fav":0},"image":[{"id":35499,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/49/77/lot/104.jpg","isFeatured":1}]},"increment":[2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":103,"next":105,"count_bid":0,"bid_history":[],"tokenExpired":1}