{"status":true,"msg":{"data":{"id":38591,"auction_id":53,"set_id":81,"lot_number":"51","artist":"Monstrance Silver and Glass","title":"Early 19th Century","starting_price":300000,"signed_dated":null,"medium":"Silver And Glass","size":"H:21 1/2” x L:9” x W:8 3/4” (55 cm x 23 cm x 22 cm)","property":null,"coa":null,"provenance":"Manila","exhibited":null,"literature":null,"write_up":"A monstrance (from the Latin monstrare, to show) is also known  as an ostensorium, another Latin word with the same meaning.   A vessel originally used during the Middle Ages for the public display of relics, it eventually was mainly used to display the consecrated Eucharist during the Eucharistic Adoration or Benediction of the Blessed Sacrament.  In this ritual, the priest blesses the worshippers while holding aloft the ostensorium containing the Host.  Since the Host was believed to be the Body of Christ, it meant that it was Christ Himself, and not the priest, who was giving His blessing.\nThe most popular form of a monstrance was that of a cross-topped sunburst on a stand with a pommel or knob to prevent the vessel from slipping when the priest elevated it.  Since it contained the Eucharist, held in place by a lunette within a glass disk at the center of the sunburst, it was considered very holy and treated with such respect that the priest did not touch the vessel with his bare hands.  Whenever he raised the ostensorium, he wore a humeral veil, a wide band of cloth that covered his shoulders (humerae in Latin), with pleats on the inside in which he placed his hands when holding the monstrance.  \nThis large silver-gilt monstrance that once belonged to an important and wealthy church is decorated from top to bottom with finely executed engraved patterns and motifs that show the skill of Filipino engravers.  The object is ‘dorado a fuego’ or fire-gilded, a process wherein pure gold is combined with mercury to form a paste which  is then painted over the surface to be gilded.  When the object is baked, the mercury oozes out leaving a coating of pure gold on the surface.  The process is highly toxic due to the mercury fumes exuded and is seldom used today.  Nowadays, an object gilded in this manner is called vermeil.    \nThe monstrance stands on a circular base, the bottom edge of which was filed to form a series of four moldings, one above the other.  Practically all the surfaces of the entire piece are delicately engraved with extremely fine borders and repetitive patterns of flowers, leaves and tasseled ribbons. \nThe upper part of the stem is topped by a winged cherub that  seemingly supports a circle surrounded by a chased and engraved border of acanthus leaves.  A glass disk for the host at the center  is surrounded by a sunburst with rays flanked by spikes alternating with a longer spike tipped with a star.  The top of the sunburst  is decorated with a cross.    \n-Martin I. Tinio, Jr.","lot_group":"Objet D' Arts","lot_details_html":"<p><strong>Monstrance</strong><br /><em>Early 19th Century</em><br />Silver and Glass <br />H:21 1/2&rdquo; x L:9&rdquo; x W:8 3/4&rdquo; (55 cm x 23 cm x 22 cm)</p>","alias":null,"hp":500000,"bp":0.168,"isWithdrawn":0,"accounting_hp":500000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":584000,"fav":0},"image":[{"id":36859,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/53/81/lot/51.jpg","isFeatured":1}]},"increment":[450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":50,"next":52,"count_bid":0,"bid_history":[],"tokenExpired":1}