{"status":true,"msg":{"data":{"id":38915,"auction_id":55,"set_id":83,"lot_number":"55","artist":"Fernando Zobel (1924-1984)","title":"Snappers","starting_price":800000,"signed_dated":"signed and dated 1953 (lower left)","medium":"mixed media","size":"16” x 13” (41 cm x 33 cm)","property":null,"coa":"This piece is accompanied by a certificate issued by Don  Rafael Perez-Madero confirming the authenticity of this lot","provenance":"Philippine Art Gallery (PAG), Manila Private Collection, USA","exhibited":null,"literature":"Asa, Magtanggul, The First Exhibition of Non-Objective Art in Tagala, House of Asa, Pasay City, 1954, p. 18 (illustrated)","write_up":"In 1953, the art critic Magtanggul Asa (real name: Aurelio Alvero, son of the aesthete Emilio Alvero) organized what he called “The First Non-Objective Art Exhibition in Tagala.” It featured 11 artists and 28 works: Fernando Zóbel contributed the most number or 7 of them. He was joined by the grand old man of neo-realism, Hernando R. Ocampo who produced 4; as well as one of the youngest of their band, Lee Aguinaldo, who contributed another 4. There were also Nena Saguil, José Joya, Manuel A. Rodriguez, and Victor Oteyza. Conrado V. Pedroche, Fidel de Castro, Carl Steele and the young architect Leandro Locsin completed the number. This landmark exhibit, of course, took place “in a little ‘art shop’ called the Philippine Art Gallery on one of the side streets of Manila”, as Magtanggul coyly put it. It was such events that cemented PAG’s reputation not only as a dealer in artworks but more importantly, as a important participant, if not co-conspirator, in the intellectual structure of the Filipino modern art movement. Of the pieces featured in the exhibit, Asa found Zóbel’s “Plaza” and “Snappers” as two of the most distinguished, ranking them as first and second in his order of the exhibit’s artistic firmament. For Zóbel, this exhibition was a turning point, marking what his biographer Villalba Salvador would term as his “first initiative towards abstract art”, (“los primeros intentos de abstracción”.) “Snappers” captures the vermillion and bright yellow of the fleshy Philippine fish, the red snapper or ‘maya-maya.’ Coursing quickly through imaginary waters, their sinuous dark shadows tinted with slivers of color are the only traces of their presence. Indeed, “Snappers” is a proper preview of the pent-up energy and bravado of Zóbel’s dramatic series called “Saetas.” -Lisa Guerrero Nakpil","lot_group":"PAINTING","lot_details_html":"<p><strong>Fernando Zobel</strong> (1924-1984)<br /><em>Snappers</em><br />signed and dated 1953 (lower left)<br />mixed media<br />16&rdquo; x 13&rdquo; (41 cm x 33 cm)</p>","alias":null,"hp":1500000,"bp":0.168,"isWithdrawn":0,"accounting_hp":1500000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":1752000,"fav":0},"image":[{"id":58629,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/55/83/lot/55.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":54,"next":56,"count_bid":0,"bid_history":[],"tokenExpired":1}