{"status":true,"msg":{"data":{"id":39587,"auction_id":58,"set_id":86,"lot_number":"196","artist":"Anita Magsaysay-Ho (1914-2012)","title":"Mother and Child","starting_price":3000000,"signed_dated":"signed and dated 1943 (lower left)","medium":null,"size":"16” x 13 3/4” (41 cm x 35 cm)","property":"Property FROM the COLLECTION of a very distinguished couple","coa":null,"provenance":"Salvador De Leon Collection;\nPrivate Collection, Makati City","exhibited":null,"literature":"Roces, Alfredo R., Anita Magsaysay – Ho: In Praise of Women, The Crucible Workshop, Pasig, 2005, p.24 and p.78","write_up":"This gifted artist, the Philippines’ foremost female painter, with a creative output spanning six decades, has, according to her friends, remained gentle, soft-spoken and humble throughout the years. \n \nIn the book “ANITA MAGSAYSAY-HO — In Praise of Women” Alfredo Roces writes: “The war years did not prevent Anita from painting. Her father provided her with thin, smooth white boards of wood, about four inches square, on which she painted  portraits.  She gave art lessons to her friends.  When the family evacuated Manila to Montalban, she managed to paint palette knife landscapes.\n \nDuring the early 1940s, Magsaysay-Ho’s works showed the influence of Amorsolo in choice of subjects and in treatment  of light and color.  As early as the wartime decade, Magsaysay-Ho already found the theme that she will explore for the rest  of her famed artistic life.  But being described as the female Amorsolo does not quite mean that she got the idea of painting rural women from Amorsolo.”\n \nRoces continues: “With the city still in rubble and prospects for furthering her artistic tradition in Manila scarce, Anita journeyed on the troopship, The China Mail, bound for the U.S. to pursue further her art studies.” It is there where she got the idea of painting rural women.\n \nAnita Magsaysay-Ho tells Cid Reyes in 1984: “I was looking for a subject I could feel for, something I could really paint.  Well,  I am a woman and I know how a woman feels, but what really inspired me to do those women is Bruegel.  There was a Bruegel painting of some women at the fields in the Cranbrook Museum.”\n \nGoing back to the war years in the Philippines: Two years after this sweetly sunlit painting was finished, deeply aware that her genius is indeed a gift, Antia Magsaysay-Ho acknowledges it in a poem she wrote on January 5, 1945, entitled “God’s Sunset,” which appears on page 9 of the book Anita Magsaysay-Ho, A Retrospective:\n \nThe ever changing shapes of clouds Now pink; now gray; now white;\n \nThe multiple glaze above, The heavens extremely bright;\n \nI gazed at my drab colours. And at the grandeur that is Thine; Lord, how can I depict Thy work; Without Thy hand in mine?","lot_group":"PAINTING","lot_details_html":"<p><strong>Anita Magsaysay-Ho</strong> (1914-2012)<br /><em>Mother and Child</em><br />signed and dated 1943 (lower left)<br />oil on wood<br />16&rdquo; x 13 3/4&rdquo; (41 cm x 35 cm)</p>","alias":null,"hp":8500000,"bp":0.168,"isWithdrawn":0,"accounting_hp":8500000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":9928000,"fav":0},"image":[{"id":37925,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/58/86/lot/196.jpg","isFeatured":1}]},"increment":[5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":195,"next":197,"count_bid":0,"bid_history":[],"tokenExpired":1}