{"status":true,"msg":{"data":{"id":39441,"auction_id":58,"set_id":86,"lot_number":"49","artist":"Felipe Roxas (1840-1899)","title":"Milan","starting_price":200000,"signed_dated":"signed (lower right)","medium":null,"size":"13” x 8 1/4” (33 cm x 21 cm)","property":null,"coa":null,"provenance":"Private Collection","exhibited":null,"literature":null,"write_up":"There are many ways for paintings to tell us about architecture.  They can show us the building, literally, as photographs do. They can evoke buildings interpretatively, using the artist’s imagination to intensify the mood and place the building in a kind  of ideal context.  This Lombard Romanesque edifice may either be the medieval basilica of Agliate in Brianza, just north of Milan or the Basilica of San’t Ambrogio in the Milan city proper.  The church in the Lombard Romanesque style provides posterity  to the time when Felipe Roxas decided to stay in Europe, based in Paris, for good. \nFelipe Roxas was a prominent member of the Roxas clan.  His brother was Felix Roxas y Arroyo, the first &quot;qualified&quot; Filipino  architect; his father was Antonio Roxas and his mother was Lucina Arroyo.  An alumnus of the Academia de Dibujo y Pintura,  he taught such subjects as linear drawing, drafting, and design at the Colegio de San Juan de Letran.  In 1884 up to the time  he migrated to Paris, he taught at the University of Santo Tomas (UST).  Among his students were Jose Ma. Asuncion, whom  he advised to refine his studies in Europe. \nOnly a few paintings of Felipe Roxas have survived, namely, “Casa Indigena en Baliuag” (Native House in Baliuag) which shows  a lower, middle class house of the period with a steep roof of nipa, bamboo stairs outside the main structure, and window  shutters also of bamboo; “Puente de Paete” (Paete Bridge), “Iglesia de Antipolo” (Antipolo Church) 1899 and “Despues de  la Merca” (After Market Hours) all in the Pagrel Collection. \nIn 1889, he left for Paris with his wife and children; his descendants still live there.  Roxas is regarded as a painter of buildings because of the three extant paintings, and reproductions of numerous paintings now lost.  This may have been the influence  of his brother, the architect Felix Roxas, who built the Neo Gothic Santo Domingo church destroyed during World War II.  Felix might have asked Felipe to draft the plans, facades and interiors of the building she constructed. Thus Felipe’s paintings of  architecture are firmly drawn, solidly defined and enriched with a lot of architectural and ornamental details.  Most of his  works were exhibited at the Exposicion Regional de Filipinas in 1895.","lot_group":"PAINTING","lot_details_html":"<p><strong>Felipe Roxas</strong> (1840-1899)<br /><em>Milan</em><br />signed (lower right)<br />oil on wood<br />13&rdquo; x 8 1/4&rdquo; (33 cm x 21 cm)</p>","alias":null,"hp":260000,"bp":0.168,"isWithdrawn":0,"accounting_hp":260000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":303680,"fav":0},"image":[{"id":37725,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/58/86/lot/49.jpg","isFeatured":1}]},"increment":[220000,240000,260000,280000,300000,320000,340000,360000,380000,400000,450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":48,"next":50,"count_bid":0,"bid_history":[],"tokenExpired":1}