{"status":true,"msg":{"data":{"id":39705,"auction_id":59,"set_id":87,"lot_number":"112","artist":"Vicente Manansala  (1910-1981)","title":"Untitled","starting_price":400000,"signed_dated":"signed and dated 1967 (upper right)","medium":"watercolor on paper","size":"42 1/2” x 31” (108 cm x 78 cm)","property":null,"coa":null,"provenance":"My parents, Allan & Paula Kline, moved to  Manila in 1957. Allan was hired by C.A.R.E.  and this was his first post. Coincidentally, my mother’s parents, Ruth & Dawson Zaug, also moved there in 1958. My grandfather was  in the exotic wood veneer business. I was  born in Oct. 1959, and we left the Philippines  in 1960. While there, they befriended the  young Manansala. As appreciators of art,  they both bought, and were given, several  of his paintings.\nIn 1969, we moved back to Manila for  a second tour. In between, we had lived  in India, Iran, & Chile. My parents  re-connected with Manansala, and  bought, or traded for, several more.\n-Carly Sax","exhibited":null,"literature":null,"write_up":"Engaging with the genres of the figurative, city scenes, landscapes, even still life, Manansala’s  diverse body of work created a very personal,  authentic version of Filipino modernism, one with  a healthy deference to traditional Filipino forms.  Manansala stays close to the homely figures which he simplified to their basic representation. Alice Guillermo writes: “he went through a black and white phase of crucifixions and Madonna and child paintings ...” In this black and white watercolor, Manansala puts more emphasis on the everyman;  the lumpish, almost caricatured figures suggest  a realist novel. In pure watercolor, immediacy and  spontaneity of the pictorial effect is the key to success, even much more so in dark, brooding themes. \nIn this brooding image, watercolor released Manansala’s skills in executing both linear and tonal elements. \nGuillermo adds: “In composition, his works often feature lines of perspective with receding space, although shallow, but recession in depth  is simultaneously defined by lines and planes which create spatial ambiguities. As a whole, Manansala reinterpreted or indigenized cubism  as he drew his themes from the familiar Filipino environment.”","lot_group":"PAINTING","lot_details_html":"<p><strong>Vicente Manansala</strong> (1910-1981)<br /><em>Untitled</em> <br />signed and dated 1967 (upper right)<br />watercolor on paper<br />42 1/2&rdquo; x 31&rdquo; (108 cm x 78 cm)</p>","alias":null,"hp":1600000,"bp":0.168,"isWithdrawn":0,"accounting_hp":1600000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":1868800,"fav":0},"image":[{"id":38067,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/59/87/lot/112.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":111,"next":113,"count_bid":0,"bid_history":[],"tokenExpired":1}