{"status":true,"msg":{"data":{"id":3565,"auction_id":6,"set_id":8,"lot_number":"160","artist":"Ramon Peralta (1877 - 1940)","title":"Country Life","starting_price":800000,"signed_dated":"ca. 1900","medium":"oil on canvas","size":"27\" x 40\" (60 cm x 102 cm)","property":null,"coa":null,"provenance":null,"exhibited":"Hotel Intercontinental, Peralta…A Retrospective, Makati, December 9, 1992","literature":"“Cheer Prevails In Peralta’s Paintings.” The Sunday Tribune, September 28, 1941. <br>“Peralta exhibit at Intercon.” The Manila Chronicle, November 27, 1992. Black-and-white photograph on page 14.","write_up":"In recognition of his artistic prowess and commitment to art education, the UP Board of Regents granted Peralta a European scholarship in 1931 for him to specialize in scenic and decorative mural painting. Peralta settled in Spain and studied under Salvador Alarma, the revered Catalan scenographic mentor and painter. Peralta would return to the Philippines shortly, reassuming his post as an assistant professor, which he would proudly bear until his death in 1940.<br /><br /> The Sunday Tribune notes, \"Native Philippine life, its quiet rusticity, its glorious hope in toil, fascinated the late artist.\" This affinity is epitomized in this rare, early work that captures Peralta's modernist instincts even at the initial phase of his career. Here, rural women are wrapping up their harvesting and winnowing duties. The composition possesses a noticeably dark, muted palette. The work is characterized by its plein-air quality encapsulated in the artist's penchant for the \"great outdoors\" and the accurate depiction of a sunset gradually transitioning to dusk. <br /><br /> The painting exudes more of a dignified and humanizing atmosphere rather than a charming, idyllic picture of the countryside. Peralta's rejection of Filipino beauty standards embodied by conservative painting is discerned in the women's physiques: full-figured and sturdy. Their bearings and facial expressions show Peralta's refusal to kowtow to the romantic ideal of the Filipina; they are the dignified cultivators of sustenance and possess physical endurance amid their laborious toiling in the fields, evoking the old Filipino adage \"stronger than a carabao,\" which becomes interesting due to Peralta's juxtaposition of the women with an actual carabao that looks seemingly wearied. <br /><br />Interestingly, this is Peralta's most refined, fascinating, and largest genre painting to enter the market. Country Life encapsulates Peralta in his prime, fostering the cause for the eventual transition to modernism, and painting his favorite subjects. (A.M.)","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":800000,"bp":0.168,"isWithdrawn":0,"accounting_hp":800000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":934400,"fav":0},"image":[{"id":3842,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/6/8/lot/160.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":159,"next":161,"count_bid":0,"bid_history":[],"tokenExpired":1}