{"status":true,"msg":{"data":{"id":52672,"auction_id":62,"set_id":90,"lot_number":"135","artist":"Felix Resurreccion Hidalgo  (1855-1913)","title":"Una Dama a la Luz de la Luna","starting_price":1800000,"signed_dated":"signed (lower right)","medium":"oil on canvas","size":"13” x 18 1/8” (33 cm x 46 cm)","property":null,"coa":null,"provenance":"Estate of the artist Dona Maria Barbara Padilla y","exhibited":null,"literature":null,"write_up":"Emmanuel Torres wrote in 1974: “To the 19th century European artist, success was exhibiting at a Salon.  An annual  competition run by an association with schools of fine arts, the Salon could make or break him.  If his works passed the light screening committee, they were shown to the public and noticed by the right people who patronized and bought art works at handsome prices. These salons were grand affairs attended by Very Important People among the bourgeois and ruling classes, including heads of state and members of royalty, who could give the aspiring artist instant fame, respectability, the right connections and money. If he won a prize, a medal  of gold , silver, or bronze, bravo! He had the High and Mighty pelting roses at his feet.  In time he would become part of the aesthetic Establishment that dictated standards of excellence in official circles, the Academe and the Fourth Estate.” Felix Resurreccion Hidalgo and Juan Luna were the first Filipino painters to gain international success this way. Felix Ressurrecion Hidalgo found an inexhaustible source of inspiration in landscapes and seascapes- he painted so many of them, some no larger than the size of one’s hand – in a style strongly reminiscent of Corot and ther Barbizon school.   The  romantic allure of woodlands, secret coves and rivers.  Arcadian scenes where a misty, solitary sylph or dyad may be glimpsed reclining or gliding away, and open seas appealed to his essentially lyric sensibility, which was more inclined to Buddhist  contemplation than revolutionary passion.  This lyricism in his landscape is immediately apparent when compared to almost any of Luna’s which seethes with dramatic tension.  These landscapes reveal his singular genius for painting idyllic vistas.  The Hidalgo hallmarks are there: the penchant for subtle halftones, hazy indistinct outlines, subdued cool colors.  It can be said that Hidalgo took much time to study nature. In 1883, he toured Spain with his close friend, Francisco de Yriarte.  There, he pitched a tent to study nature more closely and then moved to Paris for further studies.","lot_group":"Painting","lot_details_html":"<p>Felix Resurreccion Hidalgo (1855 - 1913)<br />Una Dama a la Luz de la Luna<br />signed (lower right)<br />oil on canvas<br />13&rdquo; x 18 1/8&rdquo; (33 cm x 46 cm)</p>","alias":null,"hp":3200000,"bp":0.168,"isWithdrawn":0,"accounting_hp":3200000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":3737600,"fav":0},"image":[{"id":56768,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/62/90/lot/135.jpg","isFeatured":1}]},"increment":[2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":134,"next":136,"count_bid":0,"bid_history":[],"tokenExpired":1}