{"status":true,"msg":{"data":{"id":52681,"auction_id":62,"set_id":90,"lot_number":"144","artist":"Anita Magsaysay-Ho (1914-2012)","title":"Baskets III","starting_price":1800000,"signed_dated":"signed and dated 1970 (lower right)","medium":"oil on canvas","size":"38” x 48” (97 cm x 122 cm)","property":"Property from the collection of a very distinguished lady","coa":null,"provenance":"Acquired directly from the artist by the present o","exhibited":null,"literature":null,"write_up":"During the early 1940’s Magsaysay Ho’s works showed the influence of Amorsolo in choice of subjects and in treatment of light and color.   However, these works had very modernist tendencies, such as the use of expressive distortion and  concern for design and rhythm.  The Philippine Art Gallery (PAG) did much to situate Magsaysay Ho’s art in the modernist movement of the 1950s. Explains Mrs. Ho simply, “I just love to paint women, I feel I know them, I can paint them over and over again. To paint men I would have to have models, women, I draw from memory.”  Set firmly on the ground, strong and serene, Mrs Ho’s female figures (in egg tempera, acrylic or oil) have been projected from the painter’s poetic inner eye  in poses of arrested motion, - motion stilled in space and timelessness;  their  lean lines offset the soft curves of nets or bilaos, or baskets, or pans; they are shy, different, modest, brown, Philippine and Oriental; they are deep wells,  unfathomable, enigmatic, eternal riddles. Her work of the 1970s showed the artist exploring a new style influenced by Chinese calligraphy, and a secondary quasiwriter atmosphere.  While her subjects were still the native women, she randomly spattered her canvases with delicately controlled ink blots which suggested rock formations, vegetation or waves in the sea. Her concern had evidently become purely formal: balance the interest and variety of the human gestures and movements with the dynamic and assertive power of the ink blots.  Anita Magsaysay Ho studied at the University of the Philippines (UP) School of Fine Arts under Fabian de la Rosa, Vicente Rivera y Mir, and Fernando and Pablo Amorsolo. She also studied at the School of Design under Victorio Edades and Enrique Ruiz.  From there she proceeded to the Cranbrook Academy of Art in Michigan, USA.  While in the United States, she affiliated with the Art Students League in New York where she took courses in oil painting, graphics, and figure sketching.","lot_group":"Painting","lot_details_html":"<p>Anita Magsaysay-Ho (1914 - 2012)<br />Baskets III<br />signed and dated 1970 (lower right)<br />oil on canvas<br />38&rdquo; x 48&rdquo; (97 cm x 122 cm)</p>","alias":null,"hp":10000000,"bp":0.168,"isWithdrawn":0,"accounting_hp":10000000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":11680000,"fav":0},"image":[{"id":56779,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/62/90/lot/144.jpg","isFeatured":1}]},"increment":[11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":143,"next":145,"count_bid":0,"bid_history":[],"tokenExpired":1}