{"status":true,"msg":{"data":{"id":52579,"auction_id":62,"set_id":90,"lot_number":"42","artist":"Vicente Manansala (1910-1981)","title":"Tablescape","starting_price":140000,"signed_dated":"signed, inscribed, and dated London, 1974 (upper l","medium":"pastel on paper","size":"16” x 22 1/2” (41 cm x 57 cm)","property":null,"coa":null,"provenance":"A gift from the artist to Shirley Aducal","exhibited":null,"literature":null,"write_up":"Eric Torres writes: “Beneath the…. exuberance can be seen a craftsmanship honed by many years of study of works by Picasso, Braque, and Gris.  A former student of the renowned Cubist Fernand Leger, he has been respected by his peers because of the  intellectual underpinnings of his art, his ability to “analyze” forms, to reshape the natural appearance of objects into  interlocking/overlapping shapes, to create complex rhythms  by means of clearly indicated lines and planes of color.” Ramon Hofilena wrote in 1975: “Manansala was, of course, influenced by other artists such as Picasso, Braque, Gris and Klee.” European Avant-garde movements rapidly evolved and overlapped in a march towards nonfigurative, total abstraction and the still life, as well as other representational art, continued to evolve and adjust until mid-century when total abstraction eliminated all recognizable content. Eric Torres writes: “His (Manansala’s) own type of Cubism never goes too far  out as to tear the image apart into bits and pieces like so many jigsaw puzzle fragments the way the analytical Cubists do.  He holds on to whole images, distorting them slightly, simplifying their structures, but never wilfully shattering them beyond instant recognition.” The Still Life in Manansala’s hands embodied all the compositional means he explored: the transparency which breaks up and reconstitutes objects, the equivocal space which gives shape to every void and a drastically tilted perspective which asserts the planarity, the surface of the painting.  Color attains the dimension of an organizing element as it ceases to be descriptive.  Intense color accents serve as indices rather than the pictorial transcription of what is seen.","lot_group":"Painting","lot_details_html":"<p>Vicente Manansala (1910 - 1981)<br />Tablescape<br />signed, inscribed, and dated London, 1974 (upper left)<br />pastel on paper<br />16&rdquo; x 22 1/2&rdquo; (41 cm x 57 cm)</p>","alias":null,"hp":600000,"bp":0.168,"isWithdrawn":0,"accounting_hp":600000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":700800,"fav":0},"image":[{"id":56832,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/62/90/lot/42.jpg","isFeatured":1}]},"increment":[450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":41,"next":43,"count_bid":0,"bid_history":[],"tokenExpired":1}