{"status":true,"msg":{"data":{"id":40680,"auction_id":65,"set_id":93,"lot_number":"156","artist":"Lee Aguinaldo (1933-2007)","title":"Linear No. 76","starting_price":600000,"signed_dated":"signed, titled, and dated 68 (in verso)","medium":"acrylic (aqua-tec) on marine plywood","size":"38” x 38” (97 cm x 97 cm)","property":null,"coa":null,"provenance":"with Galeria Duemila","exhibited":"Probably Cultural Center of the Philippines (CCP), “Paintings: A solo exhibition,” Manila, 1972","literature":null,"write_up":"Though the years Aguinaldo developed several styles of painting, such as “flick” painting, where he “flicked” paint from  a palette knife on canvas; “galumphing,” which incorporated a few pop images and was largely influenced by Robert  Motherwell, and “linear” painting, Aguinaldo is best known for his hard edged minimalist style which influenced a new  generation of  abstractionists in the 1960s, such as Ben Maramag, Rodolfo Gan, and Rodolfo Samonte. In the words of Eric Torres, “Aguinaldo, who by the mid-1960s had turned his back on nebulous “drips” and “flicks” (building up thick textures all over his painting by slinging pigment from a palette knife), took the road to minimalism… with their wide spaces, superfine surface, and hi –tech gloss.” Art critic Cid Reyes, in one of a series of conversations published in 1989 by the CCP, asked Aguinaldo, “One of the hallmarks of your paintings is the gloss and slickness of their surface.  One often fears that they may be scratched, dented or bruised. Have any of your paintings been damaged?” Aguinaldo answered, “I had a show once in Northern Motors. Somebody walked in with a can of white paint and splashed it all over my paintings.  The paintings were damaged completely beyond repair. How did you react to your paintings being vandalized? Well, somebody obviously disliked my paintings intensely enough to bother buying a can of white paint and vandalizing them. I’m flattered, in retrospect, of course, that my paintings should have generated such violent feelings in someone.” Cid Reyes interviewed Aguinaldo further: “Will you keep on doing your minimal paintings or do you think you might revert to your early Pollock period?” ”I have no idea. Who knows? I might even end up in an insane asylum.” “When is a painting finished?”  “When it’s good enough to hang on my wall.”  140","lot_group":"Painting","lot_details_html":null,"alias":null,"hp":1700000,"bp":0.168,"isWithdrawn":0,"accounting_hp":1700000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":1985600,"fav":0},"image":[{"id":39804,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/65/93/lot/156.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":155,"next":157,"count_bid":0,"bid_history":[],"tokenExpired":1}