{"status":true,"msg":{"data":{"id":41007,"auction_id":67,"set_id":95,"lot_number":"66","artist":"Alfonso Ossorio (1916-1990)","title":"Untitled","starting_price":300000,"signed_dated":"signed (verso) and dated ca.1950","medium":"watercolor on paper","size":"22 1/4” x 19” (51 cm x 48 cm)","property":null,"coa":null,"provenance":"Sky Gallery, New York USA","exhibited":null,"literature":null,"write_up":"In the book “Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet” pivots around Ossorio (1916-1990), a go-between who is fascinating in his own right. Gay, Roman Catholic, Harvard-educated and the Filipino-American heir to a sugar fortune,  Ossorio cut against just about every stereotype of the Abstract Expressionist painter. He supported Pollock critically and  financially, buying important works like “Number 1, 1950 (Lavender Mist)” and hanging them in his 80-acre East Hampton  estate, but the relationship had some reciprocity; Ossorio worked alongside Pollock and absorbed his signature method of  drip painting in oil and enamel, as the intricate skeins of his 1951 canvases indicate.  Ossorio also took Pollock’s suggestion that he visit Paris and introduce himself to Dubuffet, thus beginning a long friendship with the champion of Art Brut, or “raw art” — defined, by Dubuffet, as works by artists of a “spontaneous and strongly  inventive character.” In 1952, Ossorio installed Dubuffet’s entire Art Brut collection in his home in the Hamptons, where  it remained for a decade. While Ossorio was in the Philippines, Pollock and his wife, Lee Krasner, were staying in his Macdougal Street town house in Greenwich Village and receiving shipments of Ossorio’s watercolors. His relationships with Pollock and Dubuffet influenced his works greatly, and widened his arsenal of styles and techniques which he then incorporated in his later works. Art historians and curators should be on the lookout for examples of mutual-admiration societies like this one, formed by three artists with vastly different experiences of, and attitudes toward, privilege and education.    Source: New York Times","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":900000,"bp":0.168,"isWithdrawn":0,"accounting_hp":900000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":1051200,"fav":0},"image":[{"id":40124,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/67/95/lot/66.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":65,"next":67,"count_bid":0,"bid_history":[],"tokenExpired":1}