{"status":true,"msg":{"data":{"id":41005,"auction_id":67,"set_id":95,"lot_number":"69","artist":"Rodel Tapaya (b. 1980)","title":"Shelter","starting_price":140000,"signed_dated":"signed and dated 2011 (lower left)","medium":"acrylic on canvas","size":"48” x 36” (122 cm x 91 cm)","property":null,"coa":null,"provenance":null,"exhibited":null,"literature":null,"write_up":"Rodel Tapaya’s paintings recurrently depict narratives embedded in Filipino cultural history that offer sharp and often piercing commentary on contemporary life and issues. Through his adept manipulation of folk aesthetic and material, Tapaya provides his characters with allegorical significances that transcend common perception, offering fresh insights about their origins and relevance.       Tapaya’s works are marked by labyrinthine patterns and recurring characters that transmit scenes and figures from folk stories  in his pictorial world amid labyrinthine patterns. His detailed execution and finish was described by critic Patrick Flores as a  “practice (that) pursues the process of myth-making, appropriating certain archetypes in the discourse of origin and expanding  it to create a visual vocabulary that is entirely his own. The folk aesthetic in this highly mediated and idiosyncratic language  becomes part of a contemporary reflection on a sense of belonging to a domain of culture. The style resists nativist  appropriation of motif; rather it invents its own, making the artist’s effort an interesting intertext to prevailing mythologies” Journalist and essayist, international technocrat, and historian, Carmen Guerrero Nakpil  was also one of the leading lights behind the country’s first artspace : the Philippine Art Gallery, established in 1950 by Lyd Arguilla. The gallery was first located in one of the buildings owned by husband Architect Angel E. Nakpil, on Taft Avenue, Manila. In those halcyon post-War days when poets, painters, and politicos were joined at the hip,  the Nakpils were contemporaries and comrades of the artists who comprised the legendary 13 Moderns. Their collection spanning several decades includes Manansala, HR Ocampo, Cesar  Legaspi and Carlos “Botong” V. Francisco, as well as the next generation’s Mauro Malang  Santos, who worked as an editorial artist in the Manila Chronicle when “Chitang” Guerrero  Nakpil was one of its most flamboyant columnists.   The Harvard-educated Angel E. Nakpil was the country’s first urban planner, mapping out the post-war precincts of Quezon City, and in the 1960s, drawing up the present-day Ortigas  Complex in Greenhills. He was also the architect, among others, of the tallest building of the time (the Picache), the Cinerama, as well as the iconic National Press Club Building. The Nakpil family home in Quiapo, Manila was the repository of a wide selection of 19th-century Filipino old masters that included the famous La Parisienne by Juan Luna, owned by Petrona Nakpil vda de Bautista-Lin, imbuing Architect Nakpil with the tradition of art patronage.","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":800000,"bp":0.168,"isWithdrawn":0,"accounting_hp":800000,"userBid":null,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":934400,"fav":0},"image":[{"id":40126,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/67/95/lot/69.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":68,"next":70,"count_bid":0,"bid_history":[],"tokenExpired":1}