{"status":true,"msg":{"data":{"id":43404,"auction_id":89,"set_id":117,"lot_number":"204","artist":"S. Alarcon","title":"Untitled","starting_price":50000,"signed_dated":"signed and dated 1887 (right)","medium":"oil on wood","size":"8\" x 6 1/4\" (20 cm x 16 cm)","property":null,"coa":null,"provenance":null,"exhibited":null,"literature":null,"write_up":"The 1887 work at hand, painted by an anonymous artist who only affixed his signature as “S. Alarcon,” is a charming example of a Spanish colonial painting done in the folk style of genre painting rather than the academic. The work depicts a native peasant wearing the traditional salakot. Drawing from a secular theme rather than a religious one, as was prevalent during colonial times, one can discern the autochthonous or the native style of painting, which was generally ascribed to the painting of genre scenes.<br /><br />Alarcon’s rendering of the man’s face has an immediate aura of the indigenous style. The refined browns of academic art and its rigid techniques are notably absent, employing a rudimentary mixture of colors, a straightforward and raw representation, and relying on an intimate, first-hand, and natural connection with the subject. The work at hand is Philippine art in its sheer innocence, closer to one’s immediate environment and everyday lived experiences.<br /><br />Lourdes Ruth Roa writes in “The Leap to Modernism” chapter of the authoritative book on Philippine art history, “Art Philippines”: “Even before Luna’s time, Malantic and other painters of the primitive school were painting everyday scenes….”<br /><br /> She continues: “Genre, or scenes from everyday life, was the stuff these artists knew intimately. Without much formal training, isolated from the mainstream of Western art, they chose to paint not in the grandiose manner of Academism but in the modest way of workaday life. These genre works were the beginning of what the critic and painter E. Aguilar Cruz calls the autochthonous tradition,” the indigenous way of painting that started seriously in the 1850s, reached its peak in the 1920s, declined into formula in the 1940s, and exists in variable forms to this day.” (Adrian Maranan)","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":0,"bp":0.2016,"isWithdrawn":0,"accounting_hp":0,"userBid":null,"isPaid":0,"userId":22,"lot_status":"UNSOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":0,"fav":0},"image":[{"id":42158,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/89/117/lot/204.jpg","isFeatured":1}]},"increment":[25000,30000,35000,40000,45000,50000,55000,60000,70000,80000,90000,100000,110000,120000,130000,140000,150000,160000,170000,180000,190000,200000,220000,240000,260000,280000,300000,320000,340000,360000,380000,400000,450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":203,"next":205,"count_bid":0,"bid_history":[],"tokenExpired":1}