{"status":true,"msg":{"data":{"id":44776,"auction_id":90,"set_id":119,"lot_number":"104","artist":"Solomon Saprid (1917 - 2003)","title":"Penitensiya","starting_price":500000,"signed_dated":"signed and dated 1973","medium":"bronze","size":"with base: <br>H: 15 1/2” (39 cm)<br /> L: 11 1/4” (29 cm)<br /> W: 20” (51 cm)<br /> sculpture:<br /> H: 13 1/2” (34 cm)<br /> L: 10” (25 cm)<br /> W: 18 1/2” (47 cm)","property":"PROPERTY FROM THE ROBERTO T. VILLANUEVA COLLECTION","coa":"Accompanied by a certificate issued by the heirs  of the artist confirming the authenticity of this lot","provenance":null,"exhibited":null,"literature":null,"write_up":"Saprid’s Flagellants Series A Microcosm of Filipino Catholic Culture<br /><br /> Hailing from Imus, Cavite, Solomon Saprid is one of the most celebrated modern Filipino sculptors. His foray into sculpting was sparked by the encouragement of Vicente Manansala, a pivotal moment that set him on a unique artistic path. His first wooden sculpture, Sad Christ, was not just a bold entry into the 1967 Art Association of the Philippines’ (AAP) annual art competition, but also a significant moment that piqued the art community’s interest, marking the start of his artistic journey. This momentous piece was a testament to his potential and set the stage for his future success. Consequently, he represented the Philippines in the 1971 Indian Triennale and the 1973 Australian Biennial.<br /><br />  While Solomon Saprid’s subjects often revolve around \nPhilippine mythical creatures, such as his famous Tikbalang \nseries, he has also explored various other themes.  \nThese include crucifixion, flagellants, mother and child, \npuppeteers, and sundry genres of peasants and working \nfolks.  Throughout his career, Saprid has shown remarkable \nversatility, experimenting with various materials.  His \nmost favored one, metal, allows him to shape, stretch, \nand transform it into expressive figures, showcasing his \nadaptability and range.<br /><br />While most of his works are made with bronze, Saprid also \ntakes pride in his brass works.  Featuring a man slightly \nbent down while whipping his own back, this outstanding \nbronze sculpture is a testament to Saprid’s ingenuity.  In \nFilipino culture, this is an act of penitensya, an occurring \nsight and practice during the Holy Week.  Despite its \nnegative implications on one’s physical health, this is still \na continuing practice among Filipinos, for they believe that \nthis act of repentance “will save them from their sins.” \nLike his other works, an expressive freedom of sculptural \nmanipulation is evident in this work.  Moreover, the piece \nat hand demonstrates Saprid’s unbending dedication, \nmeticulous attention to detail, and diligent attitude in \nworking, cementing his name as one of the pillars of modern \nart.  (Jessica Magno)","lot_group":"SCULPTURE","lot_details_html":null,"alias":null,"hp":1000000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":1000000,"userBid":6283,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":1201600,"fav":0},"image":[{"id":43085,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/90/119/lot/104.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":103,"next":105,"count_bid":0,"bid_history":[],"tokenExpired":1}