{"status":true,"msg":{"data":{"id":45969,"auction_id":93,"set_id":122,"lot_number":"7","artist":"Yeo Kaa (b. 1989)","title":"The End of Suffering (I)","starting_price":280000,"signed_dated":"signed and dated 2017 (lower left)","medium":"acrylic on canvas","size":"60\" x 48\" (152 cm x 122 cm)","property":null,"coa":null,"provenance":"Yavuz Gallery","exhibited":null,"literature":null,"write_up":"Yeo effortlessly intertwines glitz and glam with an ironically gruesome treatment in her body of work. Celebrated as one of the most dynamic contemporary Filipino artists of our time, beneath her technicolor brilliance and rise to digital fame is a deeply personal and emotional practice.<br><br> Her candy-colored palette serves as a gateway to her generation's complex psyche—a generation that appreciates the clarity of a concise aesthetic while recognizing its ironic and memetic potential; a probable cause to her internet virality.<br /><br /> This particular piece hails from Kaa’s first solo exhibit in Singapore titled Alone But Not Lonely. According to the exhibition notes: “The collection of new works by Yeo Kaa in ALONE BUT NOT LONELY asserts independence and fulfillment from solitary life, dealing with the theme of cherishing moments of being alone and seeking happiness and comfort by one’s self. The other side to attachment or commitment in relationships, as well as being in the company of crowds, is implied in the works: the loss of personal space and freedom, and a feeling of unfamiliarity towards one’s own being. Here, the absence of companionship unexpectedly becomes a productive state, one that leads to self discovery, empowerment, and the appreciation for the simple joys of life.”<br><br> In this piece titled The End of Suffering (I) we see the usual archetypal stand-in that has come to populate Yeo Kaa’s works; a bright-eyed and candy-colored figure that has become synonymous with the artist’s own self. Here, words seemingly pierce, snap, and even disembowel these figures, effectively revealing the thematic core of the exhibit seemingly in transition. It is through this work that we are confronted with conflict that Yeo Kaa had experienced in order to achieve a sense of self-discovery. The End of Suffering (I) can be seen as the beginning of Yeo Kaa’s new self.<br><br> In this context, Yeo Kaa's works become a poignant parody of the human condition, particularly in their exploration of mental health issues. Her art confronts these themes head-on, tongue in-cheek, offering a bold and thought- provoking commentary on contemporary society. (Jed Daya)","lot_group":"PAINTING","lot_details_html":null,"alias":null,"hp":600000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":600000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":720960,"fav":0},"image":[{"id":45517,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/93/122/lot/7.jpg","isFeatured":1}]},"increment":[450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":6,"next":8,"count_bid":0,"bid_history":[],"tokenExpired":1}