{"status":true,"msg":{"data":{"id":47361,"auction_id":95,"set_id":125,"lot_number":"111","artist":"Jorge Pineda (1879-1946)","title":"Picking Duhat","starting_price":700000,"signed_dated":"signed and dated 1932 (lower left)","medium":"oil on canvas","size":"26\" x 18\" (66 cm x 46 cm)","property":"PROPERTY OF AN OLD MANILA FAMILY","coa":null,"provenance":null,"exhibited":null,"literature":null,"write_up":"Jorge Pineda occupies a prominent yet often overlooked position in the history of Philippine genre painting. Pineda virtually distanced himself from reveling in the sheer romanticism espoused by his peers, particularly Fernando Amorsolo. Instead, Pineda basked in his brand of realism characterized by a straightforward depiction of everyday living, void of the “glamorous sensuousness Amorsolo pursued all his life,” as art critic Emmanuel Torres writes in the August 1973 issue of the Archipelago magazine and republished in the book Kayumanggi: Biographies of Filipino Visual Artists. Pineda “celebrated the homespun, creating simple impressions of daily life with disarming casualness and piquancy,” Torres also notes.<br /><br />Such artistic endeavor is evident in this 1932 piece titled Picking Duhat. Here, Pineda showcases his concern with the prosaic and the mundaneness and habituality of everyday living. The composition is not bathed in the exuberance of a conservative’s palette nor the inherent romantic sensibility emphasized through a nostalgia for the sweet pastoral that often comes out as schmaltzy. Instead, Pineda’s is a celebration of the rural in its ordinary, day-to-day (run-ofthe-mill, if one may deem it) business.<br /><br />Such visual articulation can also be seen as an influence of the 19th-century British painter and illustrator Charles W. Andrews, whom Pineda—the leading illustrator of his time, contributing to leading periodicals, including Renacimiento Filipino—admired in his lifetime. In line with his role of informing rather than persuading, Andrews produced straightforward illustrations for Ilustracion Filipina from 1859 to 1860, depicting people, places, and events as they happened in real time.<br /><br />Therefore, Pineda’s works possess a distinct charm that takes a step further towards a modernist approach to painting. (Adrian Maranan)","lot_group":"Painting","lot_details_html":null,"alias":null,"hp":750000,"bp":0.2016,"isWithdrawn":0,"accounting_hp":750000,"userBid":5926,"isPaid":0,"userId":22,"lot_status":"SOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":901200,"fav":0},"image":[{"id":47049,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/95/125/lot/111.jpg","isFeatured":1}]},"increment":[450000,500000,550000,600000,650000,700000,750000,800000,900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":110,"next":112,"count_bid":0,"bid_history":[],"tokenExpired":1}