{"status":true,"msg":{"data":{"id":47303,"auction_id":95,"set_id":125,"lot_number":"53","artist":"Arturo Luz (1926 - 2021)","title":"The Great Stupas","starting_price":1600000,"signed_dated":"signed (lower right & verso) dated 1995 (verso)","medium":"acrylic on canvas","size":"30\" x 48\" (76 cm x 122 cm)","property":"PROPERTY FROM THE DERRICK AND RIA SANTOS COLLECTION","coa":"Accompanied by a certificate issued by Ms. Luisa Luz-Lansigan\nconfirming the authenticity of this lot","provenance":null,"exhibited":null,"literature":null,"write_up":"The 1990s are considered a high point in Arturo Luz’s artistic career, a renaissance and revitalization of all sorts. Towards the end of the preceding decade, the burdened Luz resigned from all his bureaucratic responsibilities at the Design Center Philippines, the Metropolitan Museum of Manila, and the Museum of Philippine Art. He would then embark on an extensive trip all over Asia, visiting Indonesia, Thailand, Cambodia, Burma (Myanmar), Pakistan, Nepal, and India.<br /><br />Armed with a camera, Luz took beautiful shots of the ravishing ancient architecture of those countries: majestic temple complexes, monumental palaces, and sacred royal tombs. Right before his very eyes, Asian architecture seemingly soared into the hallowed expanse of his imagination.<br /><br />The dynamic culmination of this wonder and awe was Luz’s iconic Cities of the Past Series, one in a series of works during the 1990s that would become the quintessential Arturo Luz: Celebration, Carnival Forms, Forms of Amusement, and Cities of the Past.<br /><br />Luz had begun exploring the subject of the city during the early part of his career, starting in the latter part of the 1950s. The inherent similarity of the earlier iterations of his urban subjects and the Cities of the Past lies in their neo- realist aim of reconstruction, albeit in two strikingly different modes: the former an allusion to the alienating aspects of urban living, especially in the post-war milieu.<br /><br />The brilliance of the Cities of the Past lies not only in Luz’s mathematical and geometrical precision but in his profound aim of reimagining, reconstructing, and perhaps “preserving” the grandeur of ancient Asian architecture and the thriving and sprawling spaces they had occupied before the influx of westernization in the guise of “globalization.” In his Cities of the Past, history, cultural ingenuity, and heritage become alive more than ever. (Adrian Maranan)","lot_group":"Painting","lot_details_html":null,"alias":null,"hp":0,"bp":0.2016,"isWithdrawn":0,"accounting_hp":0,"userBid":5930,"isPaid":0,"userId":22,"lot_status":"UNSOLD","isDone":1,"bid_history_id":null,"reserve_price":null,"hammer_price":0,"fav":0},"image":[{"id":46990,"img_url":"https://leongallery.sgp1.digitaloceanspaces.com/v2/auction/95/125/lot/53.jpg","isFeatured":1}]},"increment":[900000,1000000,1100000,1200000,1300000,1400000,1500000,1600000,1700000,1800000,1900000,2000000,2200000,2400000,2600000,2800000,3000000,3200000,3400000,3600000,3800000,4000000,4200000,4400000,4600000,4800000,5000000,5500000,6000000,6500000,7000000,7500000,8000000,8500000,9000000,9500000,10000000,11000000,12000000,13000000,14000000,15000000,16000000,17000000,18000000,19000000,20000000],"prev":52,"next":54,"count_bid":0,"bid_history":[],"tokenExpired":1}